Tuesday, June 06, 2017

 

A Liberal Britain. A Brighter Future. My Hope.


I’m a Liberal and I want a brighter future.

This General Election hasn’t been about that. I’m sick at heart of the Theresa May—Jeremy Corbyn—Brexit bad trip to a meaner past.

But the hope of a Liberal future keeps me going.

My vote on Thursday will not be just to stop the Conservatives / stop Labour because though both are s**t I’m marginally more afraid of one than the other. I can’t vote to make Britain just a bit worse.

I’ll vote positively.

Here’s my hope of a future worth voting for.

Do you want a brighter future?

Because if you do, then I should warn you – it’s going to take all sorts of things. Making society be for everyone, so everyone can be free. Finding long-term funding for the NHS and schools. And not being afraid to reconsider when things go wrong.

It won’t be easy answers, fear and blame.

But I’ll tell you what it could be…

Britain, 2030. A Liberal Democrat government, and a decade since Britain voted against the mayhem of a disastrous bad Brexit deal and changed Britain’s future.

The biggest change was the one no-one expected. It was Brexit that broke Westminster. The Prime Minister no-one elected ordered everyone to obey. The government without a plan grabbed for more power than ever. But the more they tightened their grip, the more people slipped through their fingers. Their extreme Brexit mess brought Britain to the brink of disaster, yet they never took responsibility for their own incompetence and they still tried to stop anyone having a say. Labour just split four ways and fought each other. But with popular pressure (and all those Lib Dem gains), even MPs rebelled. A new hope. When Britain had another choice, we threw out the idea of government control too.

The Liberal Democrat government came to power to bring everyone together, admitting they wouldn’t always know best and promising to listen all the way. Principles first, then consulting people, testing plans out to make sure they work, building consensus – that’s how changes happen now. The age of imposition leading to massive screw-ups is over.

It’s much easier to be heard and make a difference. Britain’s nations, regions, cities and counties took back control from one-size-fits-all Westminster. With real power distributed, economies across the country are stronger. Fair votes mean you get what you vote for and can hold them to account. With the end of safe seats, some Labour and Tory MPs gave up, but now all parties have to work harder and listen more. And whether the best place to use power is locally, nationally or internationally, the most important place to take decisions is you taking power over your own life.

The NHS has the money it needs and now treats mental health as urgently as physical, but it’s also helped by preventative health and reducing pollution.

Schools have the money they need, but they’re also helped by tackling child poverty. Better education, training and apprenticeships enables everyone to have opportunity to realise their potential, whatever their background, whatever their choices.

At last there’s a government willing to tell it like it is. That people want to come to Britain because it’s a brilliant country with British values of tolerance, freedom and standing up for the underdog. That there’s no way to stop that without tearing down so much that’s good about Britain. And why should we want to? Openness and compassion have always made Britain a brighter country for everyone. And for the people for who still want Britain smaller and meaner, if you want the economy to thrive to support our NHS and schools – if you want the people to work in our NHS and schools – then we have to welcome migrants too.

At last Britain’s leaders are in tune with Britain’s bigger values. It’s made such a difference to have a government valuing diversity and inclusion, refusing to find groups to blame. The Liberal Democrats set their mission as freedom for everyone from poverty, ignorance and conformity. They tackled inequality and prejudice, saying whatever your sex, race, class, sexuality, gender identity, disability, belief or background, you were part of society, the barriers stopping you getting on must go, and we should all look out for each other when we need it. That was the turning point against the rise in hate crime a decade ago.

There’s more freedom and less crime. Everyone has the liberty to live their lives as they choose (without harming others) after scrapping victimless crimes that waste people’s lives, waste public money and waste police time. Now police get to chase the real crooks, far fewer young and ethnic minority people get criminalised, and the Cornish economy’s booming on the cannabis crop.

Remember when governments always acted like people were simple and taxes had to be complicated? That was the wrong way round. Now everyone pays their fair share and can see where the money comes from, and small businesses flourish because the wealthiest can’t find loopholes.

Britain is becoming more respected again in the world. It’s been hard work. After decades of shouting insults instead of wanting to make Europe work, a lot of our European partners were just fed up with us. But it helped that there was relief all round when Britain voted not to keep trying for a much worse deal than we had to start with by leaving, and instead at last to get stuck in and change the EU for the better. Making it more democratic, decentralised and open. Encouraging both free and fairer trade in and beyond the biggest single market in the history of the world. Standing up against racism and intolerance. And young people feel like they’ve got their future back.

Above all, Liberal Britain has turned to the future. Innovation and enterprise are getting results. Green jobs are leading the economic revival as internationalist Britain becomes a leader in zero-carbon technology to tackle climate change. With environmental and economic responsibility at home, we’ve stopped leaving problems for the next generation to tackle, and started addressing intergenerational equality.

Not everyone’s happy. For bullies, busybodies and bigots it’s much harder to push others around. But life’s better for most people who want control over their own lives, not control over everyone else’s.

A Liberal Britain by 2030 isn’t a certainty. It’s a choice. And you always have more choices. You can stay back and let things happen. You can complain there isn’t a better yesterday. Or, every new day, you can decide to get stuck in and help make a better future.





Why I’m Looking Forward To Britain In 2030


If you’re wondering why this isn’t totally on-message, it’s partly because I never am, partly because the election’s had naff all vision in it so I wanted to say something I felt, and it’s partly because although it’s about the future, it’s one I prepared earlier.

My health has been almost as crappy as the election campaign and I’ve not been able to do much. And the election’s not cheered me up, to put it mildly. I’ve not had the mojo to write.

But this January the inspiring people at Your Liberal Britain ran a competition to imagine what a Liberal Britain might look like by 2030, and I wrote something for them then. Here it is.

I hadn’t been expecting a General Election, either.

You might have recognised some of the words, some from unexpected places, but not from our Manifesto. The way I’m most on-message, it turns out, is that the Lib Dem Manifesto is Change Britain’s Future and the party’s been campaigning for a Brighter Future. What I’ve published above was almost all written in January, but after using “better future” a lot in mine I’ve decided that I like “brighter” better. So I changed a few of those.

The Your Liberal Britain competition asked for 500 words. I wrote nearly a thousand in one big rush and, having left it until the deadline, was hacking bits out all evening to try and reduce my word count. I remember deleting one paragraph at five to midnight just because it was the right length. I didn’t much like what I slashed down to 500 words, and I didn’t win with my 500 words. Now I come to share my words, I’ve kept the ones I liked.






More Liberal Democrat Values



Every day in the 2015 General Election, I chose an inspiring Liberal quote from a wide range of people. You can see all the variety of Lib Dems Believe here.


Me on video in 2015: Liberal Democrats Believe



Me on video this year: Another Vote – Another Disappointment?




Your Liberal Britain: all sorts of goodies, and worth coming back to after the election for more inspiration and more consultation. I’ve not had the spoons to do all the Lib Dem philosophy I want to over the last couple of years. I’m thrilled these new members have been doing way more than I ever could.


And of course the official version – the 2017 Lib Dem Manifesto Change Britain’s Future, free to download in a range of accessible formats.


Now, please, if you found any of this moving, or inspiring, or just some hope, go out and vote for it.


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Sunday, June 04, 2017

 

Somehow I Doubt A Lib Dem Government Might Negotiate the Acceptable Face of Brexit


One of the many ways in which beloved husband is doing an amazing job right now as Liberal Democrat candidate for Macclesfield is answering approximately a gazillion emails a day. Some, by this stage, literally in his sleep.

I’m long past ever standing as a candidate again, not least with this year’s catastrophically unhelpful health getting in the way even of helping Richard anywhere near as practically as I’d like.

So imagine my surprise and delight on receiving my own email enquiring about an urgent issue of Liberal Democrat policy which must be worrying people up and down the land: with Lib Dems committed to a referendum on the terms of the Brexit deal, if we form the new government on Thursday, who would negotiate a deal we were bound to oppose?


To B and How To B, That Is the Question


Here’s the question I was asked:

“…if you propose a second referendum for people to decide on the deal, assuming a Lib Dem government was in office, how would this happen in practice? Considering the party’s historic support for EU membership, who would conduct the negotiations for a Brexit deal for us to vote on? Would the responsibility for negotiations be devolved to the Civil Service or some other external body?”

And here’s the main part of my reply:
“In practice, of course, whatever party is in government, the vast majority of negotiations are conducted by civil servants: they are huge and vastly complicated and require a vast team of people and a lot of hard work. Even if David Davis isn’t doing any of it.

“The answer is to be found in the first chapter of the Lib Dem Manifesto, in effect – that doesn’t just set out the party’s policy around a third EU referendum, this time on the terms of the deal, but the party’s priorities in Parliament for setting the terms for the negotiators. The primary one is of course to remain in the Single Market, which virtually all the leading No figures led people to believe before last year’s referendum and then swerved into such a damaging far right isolationist position afterwards.

“Should there be a massive political earthquake and the Lib Dems form a majority government next week, I would be delighted and I have to admit a little surprised. However, there’s no doubt that would mean Britain’s centre of gravity on Brexit would have shifted markedly, so I would expect to see a choice between remaining as a full member or an exit deal based on a much closer relationship than Theresa May, Jeremy Corbyn and Paul Nuttall’s – one, as the likes of Farage or Johnson said before the referendum rather than what they’ve said since, similar to the relationship the EU has with Norway or Switzerland. Ironically, that means that the Brexit deal would be much closer to the one voters were told about in advance.

“As I say, the party’s aims for mitigating the disaster of Brexit in negotiations are set out in detail as the first chapter in the Manifesto, which you can download for yourself here.”

With the election constantly framed as a ‘choice’ between two parties offering two identical destructive chaotic Brexits and neither offering to talk about any of the detail – because they’re dumb, but they’re not that dumb – and the Lib Dems mostly failing to get a word in edgeways, I wish the question of exactly how Foreign Secretary Nick Clegg would lead Brexit negotiations come the glorious Lib Dem landslide this week were one that was keeping me awake at night.

Still, in the happy daydream in which the Liberal Democrats sweep to power on Thursday, imagine the Lib Dem government, with painfully honest commitment to its manifesto pledge, negotiating a liberal Brexit. Come the day of the deal referendum, instead of being offered destructive chaos, loss of British power and influence, rights stripped away, food riots and catastrophic collapse in living standards by the Theresa May—Jeremy Corbyn—Paul Nuttall Brexit alliance, which the majority of Britons would be likely to look at go ‘No thanks,’ the Brexit choice is instead a middle way, keeping most of the goodies but being able to say we’re not quite in. And so only a Lib Dem Government’s positive negotiations could save Brexit by producing a deal which the majority could swallow and go on to win the deal referendum for (mostly) out!

What an irony, eh?

No, somehow I can see a few steps along the way that I don’t quite believe, either…


What Should Negotiations Try To Keep (but probably won’t)?


What certainly will happen after Thursday’s result, whatever it turns out to be, is that Liberal Democrats in Parliament will stand up for British voters to have the final say on the final Brexit deal. The Conservatives and Labour will both deny that. They’ve both already voted to stop people having a say. And as the negotiations proceed into the long and complicated reality and away from back of a fag packet insult your intelligence slogans, Liberal Democrats in Parliament will stand up for these priorities and more:


I really should’ve put these in my email, too. Sorry to the person who contacted me. Replying set my mind going, and it probably should have been the other way round.

The more Liberal Democrat MPs are elected this Thursday, the more votes there will be in Parliament to press for these priorities in the Brexit negotiations.

The more Conservative and Labour MPs are elected, with their Leaders’ identical commitment to a disastrous Brexit, the more certain it is that Parliament will throw all those priorities in the bin.

There probably won’t be any UKIP MPs elected on Thursday, but with Theresa May and Jeremy Corbyn following UKIP Brexit policy to the letter, that won’t make any difference.


Lib Dem voices in Parliament will probably only be able to make things a bit better unless we romp home. But a bit better is better than nothing. Why vote for parties that have promised to make everything worse?

I have a terrible feeling that all those priorities and so much that’s good about Britain will be thrown in the bin. And that the scale of what – to pick only the latest prediction I’ve seen – Will Hutton calls “an epic act of national self-harm” will only become clear not even when the details have been published but only once it’s all actually happened, everything’s wrecked and it’s too late to go back.

Which means that only after the economy has crashed utterly and Britain’s divided and unhappy will a Liberal Democrat government be voted in as the last resort to do the impossible job of fitting the broken pieces together. Tried a bit of that seven years ago. Can’t say we enjoyed it and were greatly thanked for it…


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Wednesday, April 19, 2017

 

Another Vote – Another Disappointment?


Time for another video…

Here’s what I say in it:







So there’s going to be another General Election. Maybe you’re not that excited. Maybe you’re still disappointed by the last one.

In a democracy, you get choices. So you expect the people who made a different choice to be disappointed.

But the great about democracy is that if you wanted something different, you can always keep putting another point of view, and there will always be another vote.

Wanting to silence dissent or saying one vote counts for ever is sticking a knife in democracy.

We’ve had two really big votes in two years, the General Election, then the referendum. Now we’re to have another one, think about something that’s strange about them.

It’s not just the losers who’ve been disappointed. Even the winners aren’t happy. What happened?




The Conservative Party


At least usually if you voted for the winning party, you’re satisfied for a bit. And the winning party’s quite happy for a bit.

Well, it didn’t happen this time.

Even though most people voted against them, two years ago the Conservatives won by that much. But they’ve been behaving as if they rule the world ever since.

That’s disappointed a lot of people who voted for them last time.

Because a lot of people said they liked David Cameron. He seemed like a moderate and not the nasty, arrogant sort of Tory.

And the Conservative Party promised that voting Tory meant two things above all: stable government and economic success.

That’s all gone, never to return.

Literally the day after the last election, they shut down support from disabled people getting into work. Just because they could. Nasty.

All the way up to today, with the Tories hell-bent on inflicting the most damaging hard Brexit they can. Arrogant.

In between, they’ve messed around with our schools. They put the NHS in crisis. Because their far right hate the environment, they’ve cut green energy so the Tories went from hugging a husky to tilting at windmills.

But above all, this Tory Government has meant utter political chaos and instability, and economic disaster.

The worst of it’s in one word: Brexit.

First the Prime Minister went.

Then none of them had a clue what happened next.

But they’re still behaving as if they rule little England.

Now inflation’s rising, jobs are falling, companies are moving out of Britain, they’re throwing away the biggest Single Market in the history of the world. And Britain is getting smaller, meaner and nastier. A terrible disappointment to everyone who believes in British values.

And still no-one has a clue what happens next.

I bet one person does. Because in Britain we have General Elections every five years. The only reason not to is if a weak Prime Minister is in a total panic and does a massive U-turn. Theresa May has called an election before it’s even half-way time. It must be because she’s panicking. She’s seen some secret figures of how bad it’s going to be and is making a run for it before total disaster.

The most unstable government in decades. The economy thrown in the bin. Now there’s only chaos. Mayhem.

What can the Tories say to the voters they’ve let down? All the Tories stand for now is hating foreigners and bossing people about.

And it’s not just Tory voters who are disappointed.

Tory MPs have actually resigned from Parliament and left politics because they’re so fed up.

Even David Cameron did it! How much of a disappointment do you have to be for the guy who’s just been Prime Minister to say, that’s it, I’m sodding off?

And since the local elections a year ago, in the by-elections every week where people vote for new councillors – the Tories have lost 21. They must be disappointed with that.




The Labour Party


Now, I’ve never been a Labour supporter either. But even I can see that you need a strong opposition to hold the Government to account when they’re in such a mess. Well, there’s no such luck. If you voted Labour last time, well, you’d have been very disappointed they didn’t get in. But they failed by a mile. And since then, they’ve just got worse.

The one reason the Tories look like grown-ups after all their Mayhem is – the Labour Party.

Corbyn and Labour MPs and members who are even more at war with each other than the Tories are. When the country really needs someone to force the Tories to account, all you’re getting is the worst opposition in living memory, who are only interested in fighting themselves.

But the thing that’s really disappointed people is the one you’d never expect.

The most far left Labour leader ever votes with the Tories on everything – he’s given the Tories a blank cheque to do whatever they want on Brexit in every single vote in Parliament. And Labour are boasting they want a harder Brexit than the Tories. A harder Brexit than UKIP!

So there are Labour MPs who’ve resigned from Parliament too, and left politics too, because they’re so disappointed.

And since the local elections a year ago, in the by-elections every week where people vote for new councillors – Labour have lost 13. What a disappointment for what a let-down of an opposition.


UKIP


Then there’s UKIP. At the last election they got one MP. Just one MP.

Guess what happened?

He’s left the party because they all spent so much time fighting him.

Since they got their dream result in the referendum they’ve gone through four leaders. One of them twice. All they ever had was hate, and now they’ve got no-one else to hate but each other. They’re just falling apart.

No MPs. Very few councillors. And you can guess what’s been happening since the local elections a year ago, in the by-elections every week where people vote for new councillors – they’ve lost another 7, probably all they were defending. They must be disappointed with that. But nobody’s even paying any attention any more.




The Liberal Democrats


And then there’s the Liberal Democrats.

Everybody knows at the last General Election we had a terrible result. The worst since I’ve been alive. We all worked hard, we were all disappointed, and our voters were disappointed.

But that’s not where it finishes.

Two years ago we had over forty thousand people still working hard as Lib Dem members. And we didn’t give up.

We went up.

Within a week of the last election, we had more than fifty thousand members.

And still more people joined.

And when the referendum went Leave by that much, more people joined.

By a couple of weeks ago we’d doubled our membership to eighty-five thousand.

On the day Theresa May panicked and ran for an election, Lib Dems surged to more than ninety thousand members.

We’re still growing every day.

Because Britain is better than this, and there is only one party that is fighting against the disappointment.

Because standing up for a better future inspires people. Being a proper opposition. Standing up for working together. For trade and peace and prosperity and the environment and education and our NHS.

And our MPs have actually gone up instead of quitting. One of those brand-new Lib Dem members was determined to make a difference, and she did. She won voters over and overturned a huge Tory majority when she was elected MP for Richmond Park in December.

And since the local elections a year ago, in the by-elections every week where people vote for new councillors – Tories down 21, Labour down 13, UKIP down 7.

People have voted in 33 new Lib Dem councillors.

You don’t have to give up.

You do have a choice. You can change direction. You don’t have to live with disappointment.

There is always a new day.

We’re in league with the future. Join us.

If you want the choice to stop Brexit, if you want Britain to be the open, tolerant, outward-looking country we can be proud of again, if you believe in freedom, fairness and a better future, join the Liberal Democrats.

Theresa May has called a panic election at a time she thinks is best for her to fix the result. But we have a choice.

Mrs Mayhem – prepare to be disappointed.



*Local by-elections results May 2016 to April 2017 from Political Betting, April 8th 2017


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Monday, January 02, 2017

 

Doctor Who 52: 07 – Ten Reasons to Watch The Rescue (SE)


Introducing Doctor Who – The Rescue


A poor orphaned waif with a forbidding guardian, waiting to see if their ship will ever come in. The sinister figure that terrorises her while claiming to be her protector. This is Doctor Who at its most Dickensian – set on an alien world four hundred years in the future, first on TV fifty-two years ago today. Time for New Year stress and resolution in this 1965 tale that’s small but perfectly formed at the length of a 2017 episode. Maureen O’Brien debuts as the series’ first ‘new companion’, comforted by William Hartnell’s Doctor at his most delightful and menaced by Sydney Wilson’s dastardly Koquillion…

I’m anxious but excited. As chance would have it, a story from exactly fifty-two years ago marks the turning point in my Doctor Who 52. I initially started offering an exciting variety of Doctor Who stories in an idiosyncratic order to run through the year, one every week, inspired by the fifty-second anniversary in November 2015. When my health collapsed beyond even its usual state, that all juddered to a halt. I started again in November 2016, only to end up in hospital soon after. I’m still in a lot of pain, I’m still very unhappy about it, and my health has still yet to recover anywhere near pitiful Alex-normal. But not wanting to be beaten, I somehow buckled down and have now very nearly caught up to where my calendar tells me I should be (Ten Reasons and one Extra still waiting). So far, most of the blog posts I’ve published in this series have been ones that I originally wrote a year ago, which I’ve re-read, rewritten and republished as repeats Special Editions. On Christmas Day I published my first entirely new 52 article. Now, at New Year, I’ve come to the very last one I’d prepared earlier. I hope you enjoy The Rescue, and wish me luck at this new start: I’m getting no more help from my past incarnations. From now on I’ll be on my own.

The Rescue is available on DVD and through BBC Store. Read on here, or just press Play. If you’ve never seen it but my first few reasons to watch it entice you, then, really, press Play. And while usually I’d take the DVD over BBC Store like a shot (extras, picture quality, not seizing up and needing a restart every time you pause it…), one very good reason simply to press Play this time and one advantage BBC Store has by missing something is the DVD menu. Usually the menus on Doctor Who DVDs have a mix of tantalising moments from the story, like an ambient trailer; that’s how the main menu works here, but the Special Features sub-menu is just one continuous clip of the climax. There are some preposterous decisions elsewhere in the range, but this probably wins the ‘What were they thinking‽’ award for most random and complete spoiler. So when I say there are spoilers lower down my list this time, I mean it…




Ten Reasons To Watch The Rescue (warning: spoilers lower down the list)


1 – It’s the ideal Doctor Who for New Year.

The Rescue is a bit of a new start, but not too much. It’s not too complicated, but has a refreshing twist. It’s small and manageable both in the scale of the action and in lasting just fifty minutes across two snack-sized episodes. And even our heroes get to sleep some of it off.

While The Rescue didn’t start a new season, it was first broadcast on January 2nd, 1965, and it’s perfectly pitched for new viewers to jump on board with the new companion. We see the TARDIS materialise – literally a beacon of light throughout – before we see within, always crucial in making us appreciate that it’s bigger on the inside than the outside, and the small cast gives us much more time with all the characters. Most of all, we get to know newcomer Vicki, and we get to know the Doctor all over again. Written by original Doctor Who lead writer David Whitaker, this is quietly the series’ first relaunch. Of course, the honest New Year Doctor Who would be Resurrection of the Daleks (massive overindulgence followed by regret and resolutions that you’ll break immediately and double down instead) then The Twin Dilemma (the awful hangover)…
“We can travel anywhere and everywhere in that old box, as you call it. Regardless of space and time.”
“Then it is a time machine?”
“And if you like adventure, my dear, I can promise you an abundance of it.”

2 – Vicki is the first new companion.

…And the story goes as far as it can to make that easy on the viewers – or, rather, to make us go easy on her. When we first met the Doctor, it was through his granddaughter Susan, a mystery for her schoolteachers Ian and Barbara to follow. But Susan fell in love and out of the TARDIS in the previous story. How would the Doctor take to someone else? How would we get used to a new teenage face in the show? And what could bring her on board? She’s not another relative, and while the Doctor effectively kidnapped Ian and Barbara, that was bundled up with the role-reversal on teachers who know nothing, and not something a kinder, gentler Doctor could do to a teenage girl. The producers nearly brought on board a gutsy young freedom-fighter from the previous story, but instead chose to go quite the other way. They pull out all the stops to make us feel sorry for her and want her looked after.

Vicki seems, to begin with, much younger and less capable than Susan. Maureen O’Brien – here beginning an impressive career, though thanks to a forgotten early work of Andrew Davies’ I grew up thinking of her as an evil witch-nun – plays her with huge eyes, a waif-like form and outfit, and just enough pluck that she doesn’t make the audience wonder why on Dido she’d want an abundance of adventure after spending every scene cowering. Today Vicki is easy to read as abused or at least crushed by her multiple bereavements and oppressive semi-guardian – she’s young and full of hope that’s ever cowed, he’s dark and brooding and rains on every parade – and to see how after being adopted into a friendlier sort of family she’s going to gain the self-confidence of a cheeky teen anarchist (though inconsistent writing – or PTSD – will give her wild mood swings between the two as her stories continue).

But for now, Vicki sets a template that will often be repeated for new companions, and which I once sarcastically labelled ‘Daddy was a lord, but he’s dead now’. Her mother has died, so her father takes her away to make a new home on a colony world. But their ship crashes on the inhospitable planet Dido, so they don’t get to their new home. And then her father dies too. Not just him, but a massive explosion that takes out every other person she knows, except one. And he doesn’t like her. So there is literally no-one on this planet who loves and will look after her. She seems the most thoroughly orphaned person possible (until the show eventually takes this to extremes with Nyssa), and the Doctor and his friends spend most of the story getting to know and befriend her, so by the end of the story there can be no possible objection to her choosing – and she is very carefully given a choice and time to choose it – to leave on the TARDIS. Just to make sure we get the point that she is utterly and totally destined to be the new companion, she even introduces herself to Barbara twice. The second time spelling out her name, letter by letter.




3 – The Rescue reintroduces the Doctor too.

Even more effectively than it introduces Vicki, The Rescue gives us fresh angles on the Doctor. In a subtly reworked role that retains all of William Hartnell’s intelligence and authority but allows him to be kindlier and funnier, suddenly the Doctor twinkles. This is a great place to start for Mr Hartnell, showcasing just how versatile the Doctor could be and will be from now on – stern, affectionate, vulnerable, incisive, embarrassed, and often comic here, too. People often dismiss the youngest Doctor – the one looking like the oldest man – as a grumpy old thing, not least because when we first see him he’s terrific but not kind in running rings round his companions. He takes a while to warm or warm to, and longer to seem trustworthy. Yet I can’t think of another Doctor with more facets. This story doesn’t so much soften the Doctor’s character as give him a chance to shine in many different ways, not least as the only person who sees everything that’s going on in the story. I love Billy for his speeches and his passion, and there’s plenty of that here. At the climax of the story, he follows previous ‘courtroom’ triumphs with a stunning confrontation in a majestic Hall of Judgement. But by then he’s already charmed budding companion Vicki with his understanding, then been chuffed to bits overhearing how much she already likes and trusts him. He promises her he’ll be diplomatic… Which last about ten seconds before – though he’s the last Doctor of whom you’d expect it – he picks up a girder to use as a battering ram and determines on breaking a door down.

William Hartnell turned a powerful acting presence learned as the stern sergeants and ruthless crooks of his film career into the perversely authoritative anti-establishment Doctor… But he also had great comic timing, and his vulnerability in a character role inspired producer Verity Lambert to make him the Doctor. Both are on full display here. The show needs us to move on from Susan, but the Doctor can’t forget his granddaughter just yet; rarely do we see the Doctor so quietly hurt as when he starts to ask her to open the doors here, and falters, Barbara gently offering help instead. Before long he’s showing he’s sharp as ever to Ian, then wondering if he can get away with pretending he landed on Dido deliberately before remembering that he did it in his sleep, playfully undercutting the danger of his becoming a know-it-all. On the surface, The Rescue may be designed to repair the ensemble cast by introducing a replacement fourth member, but compare it with a year earlier and it’s not just the teenager who’s changed, nor even the Doctor’s character that’s evolved – it’s not an ensemble any more. He’s the Doctor. The ‘new companion’ makes it clear that the others are just that: his companions. If there was ever a doubt who was the star, there isn’t now.




4 – Alien Design.

This is a small, cheap story, but designer Raymond Cusick – who created the series’ first alien world – carefully chooses where to put detail that fills in a civilisation. Though his big alien beastie here isn’t a patch on his Daleks, the various stylised representations of it are fabulous. Massive carvings draw your attention from bare rock walls; pillars give shape and purpose to the Hall of Judgement, transforming it from a big empty space to the eerie, majestic heart of the story, aided by smoke and (reused but atmospheric) musique concrète. And the alien figure of Koquillion, all leering tarantula-faced bristles and tusks with the manner and mendacity of a wicked Dickensian stepfather, is decidedly creepy every time he comes to call and tell Vicki not to go far from the crashed ship, or he might not be able to protect her from his people…


5 – The Doctor’s sympathy versus Barbara’s exasperation.

One of the biggest changes in the Doctor since the series started a year before is that he’s now much more concerned for and tactile with his companions, no longer just with his departed granddaughter. In their first scene together here, the two teachers are worried; she’s noticed that the vibration of flight has ceased, meaning that for the first time, the Doctor’s slept through a landing. They rouse him and he comes to, embarrassed but charmingly tactile with his friends, pretty much giving each of them a hug, so when Barbara breaks his flow to try and tell him what’s happened, he jumps wonderfully to the wrong conclusion and clasps her hand to his breast in concern and delight. Then he’s more embarrassed when he realises what she actually meant…
“Oh, but Doctor, the trembling’s stopped.”
“Oh, my dear! I’m so glad you’re feeling better. Hmm!”
“No, not me – the Ship!”
“Oh, the— Oh, my dear, I’m so sorry.”



6 – The Doctor’s knowledge versus Ian’s exasperation.

Ian and Barbara have developed since the of the series, too. This time, everyone’s favourite Coal Hill Schoolteachers go off exploring, while the Doctor dozes in the Ship. But when they’re menaced by Koquillion, Barbara’s toppled from a cliff and Ian caught in a rock fall, the Doctor springs out to help… Only to wind Ian up by knowing considerably more than he does, despite as far as Ian is concerned having only been outside for a moment while he was out risking his neck exploring.
“Oh, there was this – thing, this repulsive thing with a – hideous face.”
“With hands and feet like claws?”
“Yes, that’s it. How do you know?”
“Well, this is the planet Dido. I’ve been here before. I know them very well.”
“What?”
“They’re very friendly people.”
“Friendly?”
“Yes.”
“Oh! It wasn’t friendly to us.”
“…This thing. Was it armed?”
“No, no, it wasn’t. Wait a minute… It was carrying – some sort of – jewelled club. About so long.”
“With a big head? Resembling a spanner?”
“I don’t know why you bother to ask.”
The Doctor gives him a quick glance up and down and tells him no bones broken, but somehow Ian doesn’t seem to mean it on thanking him for “The most thoroughgoing medical I’ve ever had.”

Though the Doctor gets an exasperated moment of his own later, as the two of them clamber across a narrow rock face in the dark and then, as if that wasn’t enough to put up with, hear a roar from ahead of them. Ian sticks the torch right in the Doctor’s face.
“What was that?”
“Well, it’s not me, is it? Shine the torch down there!”

7 – Making you think about time travel (and tact) for yourself.

Charmed by the Doctor, Vicki has started to bond with Ian and Barbara, so they start to exchange confidences: Vicki about her loneliness, and the two teachers about their travels. Ian tells Vicki that their spaceship travels through time as well. Barbara tells her that they left in 1963, instantly regretting it.
“1963! But that means you’re about – five hundred and fifty years old!”
“Well, yes, I – I suppose I am. Yes, it’s a way of looking at it, but I’ll try not to look at it too often.”
The camera lingers first on Vicki calculating, then Barbara trying not to look monstrously offended – in the fragile moment of still feeling very in the wrong just after Vicki’s forgiven her – while Ian covers his mouth and chokes with laughter in the background. And all neatly reintroducing the series’ concepts, and letting the viewer go, ‘Hang on – no – that’s not right – let me work it out…’ while Babs is writhing in embarrassment and elbowing her long-term companion in the ribs, before Vicki drops another clanger on the contemporary audience, too:
“They didn’t have time machines in 1963. They didn’t know anything then.”
The same conversation gets one of my favourite moments in the book, similarly making us think:
“‘Oh, come on, you’re imagining things, Barbara Wright,’ Ian laughed. ‘You’re as bad as that awful little Tracey Pollock in 3B!’
‘Tracey Pollock . . .’ Barbara murmured. Coal Hill School suddenly seemed a million miles away. In fact it was a great deal further and long since buried beneath the Metropolitan Disposal Plant.”

8 – The double (or single) entendre.

Ian Chesterton at one point calls the villain “Cocky-lickin’”. I suspect it’s only that William Russell seems so sober and respectable and that Ian is written as the most reassuringly ‘straight’ of all the Doctor’s companions that he ever got away with it. It’s almost as bare-faced as one of the stories in the first ever Dr Who Annual, published the same year, being titled The Fishmen of Kandalinga. In later years The Rescue was also described by one infamous guidebook as being set on the planet “Dildo”, which I knew people were finding funny some time before I understood why. But it’s Ian Marter’s novelisation that’s mostly likely to make you gasp. It was the book he was writing just before his untimely death, and I can’t help but wonder if he inserted some passages as a gag, expecting his editor to take them out, and then the editor didn’t want to change any of his last book. Right on the first page, a character sniggers at the script’s time-reading of “sixty-nine” flying hours until they reach Dido, which was so blatant that I spotted it even as a surprisingly innocent teenager, while in Chapter 5 there’s so much manipulating of oily, lubed rings that when I re-read the novel later in life I immediately re-re-read it back again to be sure those were really the words.


9 – A very Doctor Who moral: don’t judge by appearances.

The Doctor and Ian struggle to avoid a howling Sand Beast at the cliffhanger (both episodes end with pretty much literal cliffhangers). We see a Sand Beast staring at Vicki with its big shining eyes on stalks as she innocently goes about finding shrubs to eat, then lumbering forward. And Barbara sees that too. So she seizes the crashed ship’s flare gun and runs out of the wreck to blast it in the head (which Ian Marter’s novelisation describes tastefully as a “smouldering toffee-like blob”, after cheating rather in the build-up). Its keening death wail is rather distressing for the viewer, but worse for Vicki: “Sandy” was herbivorous and her only comfort as a pet, and now this becardiganed murderer has killed him! Alien-looking doesn’t mean nasty, human-looking doesn’t mean nice, Barbara and Vicki between them have to learn both lessons, then poor Vicki is slowly brought to understand and forgive her by the Doctor listening to and trusting the orphan to make her own choices. You can see her realising how much better an alternative guardian he’d make…


10 – The two-faced guardian.

And finally, the big twist. The Rescue is sometimes described as a whodunnit, but of course the point is that it only becomes that once you know who’s done it. You don’t even think of it like that when you can see the monster Koquillion played, as always, by a man in a monster suit all the way through. The glowering Victorian authority figure, the only other survivor after the wicked alien natives killed all the crew at a feast of welcome – but somehow managed to kill all their own people in the explosion too – had murdered a crew member on the voyage and everything else was his attempt to rescue himself. Vicki was ill in her cabin and didn’t know, so he dressed in Didoi robes made from local animal skulls to menace her as Koquillion, personification and maligner of the beastly natives, setting her up as witness to Dido’s cruel, murderous and conveniently unable to answer back inhabitants for when a ship arrives from Earth to rescue them both. It’s an entertaining dual performance from Ray Barrett – double-credited behind a portmanteau pseudonym of Sydney Newman and Donald Wilson, two of Doctor Who’s co-creators – though outshone by William Hartnell. The Doctor’s been enchanting right through the story – but now he sits like a marble statue in the Hall of Judgment of a slaughtered people to wait for the killer. And while the murderer made me think of Dickens throughout, the Doctor’s intellect and the plot he unmasks reminds me of Conan Doyle’s The Norwood Builder.

There are few scenes in Doctor Who that make me sit up and pay attention so keenly as when the Doctor, not turning but eyes racing as Koquillion enters the Hall, calls for him to come in. The atmosphere’s already electric, and then – casually, conversationally, because both of them know, so there’s no need to announce it, and because that way the audience is all the more likely to go ‘What? What did he say?’ – the Doctor informs him by his real name that such robes are only for absolutely ceremonial occasions. And from then on everything about the scene is relentless.

The Doctor doesn’t shrink from the ‘alien’, but he backs away as something far more sinister – an evil man – closes in on him. A betrayer, a cruel tormenter, a genocidal mass murderer, a rotten heart of darkness. Someone who always finds the ‘other’ to blame to cover up his own foulness, who exploits the person he poses as protecting and terrifies them into siding with him, who will throw aside anyone at all for his own gain. Under the pretence, this is someone horribly familiar. Though ironically the man in a monster suit looks far more effective than the monster of the week, fans have often speculated why, in a later story, the Doctor’s visions of past monsters as part of his inner fears should include an image of Koquillion, because he wasn’t even a monster. I wonder if they’ve ever watched it.




What Else Should I Tell You About The Rescue?



I’ve always thought The Rescue a lovely little story, not quite one I’d put in my ‘best of’ countdowns but played, written and directed so neatly that I can’t help enjoying myself more every time I watch it. It was only the second William Hartnell story I ever saw – brought along by an older friend to a bootleg showing by some university club in Manchester – and it opened my eyes to how endearing a character he was. I still remember falling in love with his comedy scenes at the start, and his shy delight on overhearing Vicki talking about him. There are a couple of moments that don’t work – a monster that tries to break up the human form and really doesn’t succeed, and the Didoi being defined as another ‘Planet of the Hats’ people who all think the same way – but it’s a neatly-formed story, well-told, and gently relaunches the Doctor and the series while handling its first big change, all at the length of a modern Doctor Who episode, a rarity in the Sixties. You can buy it in a double-DVD set with the more comedy-toned The Romans which I’ve heard called, but which you sadly won’t find labelled as, ‘Veni, Vidi, Vicki’.

Ian Marter’s novelisation has a very different flavour to the TV version – where 1965’s The Rescue is a small-scale story with an innocence that’s marred by one terrible betrayal, 1987’s reworking takes place in a much more cynical universe and expands the action considerably. The rescue ship is very of its time, going from an occasional voice on the radio to scenes on an explicitly American spacecraft – a “heap of Reaganium” – whose crew are shaken by the TARDIS and snap, “Don’t press my button!” It all makes the subtext of the damage done by ‘settlers’ to Native Americans much more the text, linking it to gung-ho ’80s US military clichés and, with the author seizing on the original serial’s New Year broadcast dates, giving a bitter festive commentary on the show’s hopeful ending. Not all the humour is so black – the Tracey Pollock moment always makes me smile, and the Doctor gets several new entertaining lines, particularly an incisively bitchy comment on the villain’s story and at the TARDIS’ next destination – while Dido is given a feel of ruined grandeur and horror at the end of a civilisation well beyond the TV’s budget. The science is rather dodgy, but the main flaw for me is that the structure falls down badly in the second half; as with the innuendos, I suspect Target Books’ editor didn’t want to alter the text of Ian Marter’s final book, but when the story comes to a head and the climax is then deferred for forty pages of sub-sub-Tolkien ruins and giant beasties, it could have done with another draft. You can buy it on audiobook, read by Maureen O’Brien in a warm, intimate style, with a vulnerable Vicki and an endearingly querulous Doctor.

And, if you need one, my score:

8/10


If You Like The Rescue, Why Not Try…


The Evil of the Daleks, utterly marvellous, another script from David Whitaker, introducing the exemplar of the companion as Victorian orphan innocent of her sinister sort-of-guardian. And much more. Voyage of the Damned, another Christmas hangover with an ill-fated ship and a blatant companion audition piece, with a twist. The Ambassadors of Death, another tale of aliens who aren’t really hostile being used as cover by scheming humans. Dragonfire, a refreshing change to the timid Victorian orphan companion trope and another fearsome monster concealing something unexpected. But to stay with something short for the New Year…

The Sontaran Experiment. Another brisk two-part story set on a rocky wasteland of a world where the population’s extinct – or is it? – and we meet the survivors of a destroyed spaceship, one of whom is not what they seem, all of which is later greatly extended by an Ian Marter novelisation.


Next Time…


The Christmas hangover’s not quite over yet – but assuming I go back to finish a couple of still-tasty leftovers, and with the still bigger assumption that I manage to go on writing…

Another new companion is caught up in a whodunnit that’s not really a whodunnit and finds both that humans can be more alienating than the aliens and that stepping on board the TARDIS and leaving it all behind was only the start of her problems.

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Tuesday, December 27, 2016

 

Five Reasons to Listen To Home Truths – Doctor Who 52 Extra: E (SE)


Introducing Doctor Who – Home Truths


A ghost story for Christmas featuring one of Doctor Who’s shortest-lived companions as the heartbeat of one of its most intimate and personal tales. Jean Marsh recreates Sara Kingdom for this creepy Big Finish audio two-hander (3.05 in their Companion Chronicles series) where she poses a challenge to church, state and listener simply by being there. For all that she and the visiting Night Constable scoff at fairy tales, she embodies perhaps the oldest fairytale lesson of all…
“There’s a house across the waters at Ely where an old woman tells a strange story.”



Five Reasons To Listen To Home Truths (warning: spoilers lower down the list)



1 – Sara Kingdom.

From the beginning of December 1965 to the end of January 1966 – but also from the year 4000 – Jean Marsh played Space Security Agent Sara Kingdom in Doctor Who. It may have been a short time for her character on TV, but she made an impact. Ms Marsh is possibly the Doctor Who star with the most glittering career; Agent Kingdom was a startling change from the Doctor’s other companions; and the end of her story is still talked about today, even though it’s long gone and you can no longer see it, just listen. Sara Kingdom reluctantly teamed up with William Hartnell’s Doctor and his friend Steven Taylor, after first being sent to kill them – and in a sort of shocking sort of The Apprentice twist, killing another of the Doctor’s companions to get there, who haunts her still. In many ways she seems a New Adventures companion long before her time: hard as nails; personal tragedy and betrayal; always the shadow of the Daleks and death hanging over her; but some part of her always remains, because she travelled with the Doctor. Sara died an old woman, but there’s still no time after her travels for the Doctor for more adventures. So the most obvious way to bring her back is to give her an exciting Space Security Agent adventure before she ever met the Doctor (see “Lost Story” The Destroyers, also from Big Finish). Older, sadder, gentler, Home Truths is not the obvious way to bring Sara back…




2 – Is she or isn’t she?
“Hear the old woman’s story. Then decide her fate.”
Fans argue. And one of the oldest fan debates in Doctor Who is whether or not Sara Kingdom counts as a ‘real’ companion. She travelled in the TARDIS. But only for one story. But it was a very long one. But not even for all of that. But she deserves it. And so on. Or in later years, are the Doctor Who stories that begin as books or, here, CDs ‘real’ stories? To ask the question is to miss something about stories, for me, and while I make lists and write about esoteric story points too, those two questions aren’t ones that engage me, so perhaps I’m predisposed to take one side within this story. Because Home Truths itself takes such questions and ambiguities and weaves a story out of the very criticisms that people are bound to come up with before they’ve even heard it.

So the story starts with Robert the Night Constable, the sceptical listener, arriving with the intention of judging Sara, not of enjoying her company. Jean Marsh is enchanting as she tells her story for him, remembering pain and excitement long ago, gently sparring with him as he concentrates on finding fault. Home Truths has much in common with Ghost Light, though with a very different feel in its sparse settings, adrift from any one time: the stories are confined within a house; there’s a hint of M R James, with a religious scientist investigating the unknown; and like the ultimate villain in Ghost Light and like the fans this story is challenging, Robert has a list of categories that count and, because she doesn’t fit into them, he can’t accept her. It’s not real if you can’t see it. Can he, and the sort of fans who police the list, give her a chance by listening? And so their frame story, and the mystery found by the Doctor, Steven and Sara, and the meta-story of the listeners interweave as he questions what to him are her unreliable narrative devices, and says that he won’t allow the bits that contradict his continuity of facts, without being aware of the gaps in any of his own assumptions, the ghosts of his own superstitions, even as he unconsciously echoes the old wariness of eating ‘fairy food’. He’s putting her on trial as a danger to church and state while not really believing in the church side of his role, but you can see how although he doesn’t like the superstition built into the law, following its rigid doctrine has warped his ability to ask questions and do his job. The rules have even made science into a dogma of its own rather than akin to his sense of enquiry – which makes her real threat more to his own worldview than to his world, and all the harder for him to listen without prejudice.
“Well? What’s it going to be?”

3 – Asking questions about human nature.

The discussion between Miss Kingdom and Robert isn’t just about the people in the stories she’s telling, but about how we’re all wired – and tangentially between the two of them, both night constables of a sort, the conflict between orders and individuality, duty and empathy, and how all choices have consequences for which we must take responsibility. You have to ask questions, even if it’s hard: Sara’s original sin and Robert’s choice can’t be passed off as just obeying orders, and perfection doesn’t suit humanity. These are ideas that go to my wider political fear that utopias never have room for people who complicate things and that if you don’t count, you can’t exist, just as the story within the story speaks to inner fears of thoughtlessness (or of thoughts). And, ultimately, throughout this poignant tale, Miss Kingdom in Jean Marsh’s beautiful voice is the soul of it all, someone with reason to empathise with murderers who don’t really wish to be murderers, and in reaching out to them, might save herself.


4 – Opening up more stories.

Sara Kingdom’s original story, The Daleks’ Master Plan, was Doctor Who’s longest TV adventure (subject, naturally, to debate). So it’s a cheeky ambition for Home Truths to put another story into the middle of it and open it out to be even longer, with a promise of more in there still. Author Simon Guerrier’s Doctor Who writing keeps coming back to William Hartnell’s Doctor, captured here in many facets – loving to explore, treating his companions as children but like a mischievous child himself, irritable when made to look foolish but almost serene at the end – and for Big Finish he’s created several rather marvellous adventures for the Doctor and neglected companions Sara and Steven (Peter Purves). Home Truths itself has two sequels (though not necessarily in that order), The Drowned World and The Guardian of the Solar System.

While the events of Home Truths are resolved as far as the Doctor, Steven and Sara’s travels go, not only is the story of Sara and Robert left unresolved, but the hints of the world they inhabit fire the imagination. It’s far in the future, but after war, flood and disasters we can only guess at. What might have caused the downfall of the civilisation after next? And how did another rise, seeing A Canticle for Leibowitz through a crooked glass, in the stern dogma of strictly defined church and science, though tantalisingly neither defined for the listener? Is this strangely past-future even Earth, or have names been carried over the stars like Robert across the fens? And why is he a Night Constable? Does this world ever see the light? Miss Kingdom herself tells Robert that she has a hundred stories to tell about the people who have stayed with her – though he’s deliberately asked to hear one he doesn’t believe. It’s no wonder that her conversation with him has more than a hint of Scheherazade, and the whole thing a sense of The Twilight Zone (a series in which Jean Marsh herself starred in another lonely two-handed psychological horror story / psychological character study).


5 – This creeps me out more personally than any other Doctor Who story.
“The corridor in which the woman lay led to a wide staircase, littered with flowers and paper-wrapped gifts. The Doctor examined the labels: they were wedding presents for Richard and Alex.”
Did you ever think idly how gratifying it might be to find yourself in Doctor Who, in whatever small way? I imagine I did. As the fairy tales warn us, be careful what you wish for.

Home Truths author Simon Guerrier is a friend of ours and gave us a wedding present. Nothing of Home Truths, though, which is perhaps for the best (his lines that we weaved into our wedding reading weren’t from here, either). My husband is a careful driver, and the only time I can remember him swerving the car in shock was on a dark and stormy night coming up to Christmas 2008 and driving up to see our parents. The story is quite creepy enough, with the mysteriously, suddenly dead bodies of two newlyweds in their ideal home. We were already feeling for them, and then Sara Kingdom told us their names in track seven. Thanks, Simon. Of course, they’re not a perfect match: Simon’s been to our place and knows it is not in all honesty uncannily pristine; Alex has been gender-swapped (thinking about it, the story itself might have a trans character, from a certain point of view).




What Else Should I Tell You About Home Truths?


You can buy it on CD or download from Big Finish Productions here.

This is where I often mention things other fans don’t like about a story and turn them on their head, but I’m not as familiar with reviews for extra-televisual Doctor Who. So my contrary view on Home Truths is that the opening mystery and the aftermath are both brilliant, but some of what would ordinarily be the climax (to the ‘old’ story, at least) doesn’t engage me as much, though it captures the Doctor well and I can see how it’s a necessary bridge. Perhaps it’s just because in some ways it’s an extended ‘action’ sequence, which despite being a harrowing moment for Sara, those are always less effective on the radio, and though she has to ‘earn’ the resolution, I can see it coming and am impatient to get there once I think I know the answer (one of them, anyway).

Simon Guerrier is also the author, with Dr Marek Kukula, of a less fictional book on The Scientific Secrets of Doctor Who. A lot of people who don’t review his stories have nevertheless found this fascinating, so you might still find him popping up on the radio or at your local library to talk about Doctor Who and science and things, and he’s always worth listening to (and questioning). Whatever you think of this pair’s scientific views, at least they don’t wield them with the authority to unperson you if you disagree.

And, if you need one, my score:

8/10


If You Like Home Truths, Why Not Try…


More Sara Kingdom: The Daleks’ Master Plan. This is a thrilling epic from 1965-66, including in the middle Doctor Who’s first ever Christmas special episode (which isn’t very M R James at all). Unfortunately the BBC burnt most of it, but you can buy the whole soundtrack on CD, and see the three complete surviving episodes on the Lost In Time DVD set. You might also look out for Reconstructions online, which combine the soundtrack with photos to make the missing episodes easier to follow. I recommend Simon Guerrier’s sequels to Home Truths, too, and just this month he has a new Early Adventure out from Big Finish where the Doctor, Sara and Steven face the Sontarans as played by Dan “Strax” Starkey, bringing together some of the oldest and newest Doctor Who.

For more Jean Marsh, there’s the 1965 historical adventure The Crusade (for which most of the same limitations apply), and 1989’s Battlefield (all of which, thankfully, you can see on DVD or download from BBC Store). Ms Marsh plays different characters in all three stories, though all three have complicated relationships with their brothers – see especially her soliloquy at the end of Battlefield, her coldness in the middle of The Daleks’ Master Plan and a terrific The Crusade scene in which she tears strips off Julian Glover.

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Sunday, December 25, 2016

 

Doctor Who 52: 06 – Ten Reasons to Watch Last Christmas


Introducing Doctor Who – Last Christmas


Tonight will be Doctor Who’s next Christmas, for this Christmas! If you find Christmas a nightmare, it’s time first to watch Last Christmas, where the Doctor meets Father Christmas – or does he? – and some aliens – or does he? – a bit like the Alien (shh, he mentioned it once but he might have got away with it) – and is trapped within dreams within dreams, a bit like Inception – or is he (spoiler: yes)? If it sounds too disturbing for Christmas, it’s also got some of Doctor Who’s zingiest one-liners, cracking dialogue. Christmas crackers, if you will. Too soon? Or too late? Because Last Christmas is actually from the Christmas before last now.

If you want last Christmas’ Doctor Who, which wasn’t Last Christmas but The Husbands of River Song, my husband Richard has a present for you – freshly delivered, his review. My Ten Reasons here were originally planned for last Christmas, when Last Christmas would in fact have been last Christmas. You see? It would have been immensely amusing. Well, cracker-standard, anyway. Before you grab a shepherd’s crook from the nearest nativity play or panto to pull me off the stage, there’s one more thing I should say in this introduction. I originally started these as a celebration of Doctor Who’s fifty-second anniversary, because the number suggested a year-round set of articles. That went off the rails along with my health. Although my health is if anything even poorer right now, I started again this November and am currently not so very far off target (I’m as surprised as you are). All the blog posts I’ve published in this series since then have been ones that I originally wrote last year, which I’ve re-read, rewritten and republished as Special Editions. I’ve actually now come to the one that I aimed to write last Christmas but wasn’t able to. Which means that, in a mind-bending twist, Christmas is the first time this is original programming and not a repeat. It’s all new today. Wish me luck for the rest.

Babylon 5 creator J. Michael Straczynski talked about sci-fi series having “Wham episodes”. He doesn’t mean this. It’s good, though.




Ten Reasons To Watch Last Christmas (warning: spoilers lower down the list)


1 – It’s Christmas!

And Christmas is always a day for Doctor Who now. This evening the twelfth Doctor Who Christmas special in a row will be part of BBC1’s festive line-up, so it seemed appropriate to choose one of the Twelfth. Last Christmas is an entertaining Christmas tale, funny, scary (a traditional Christmas horror story), and something to put you off your Christmas dinner – and, for me, easily the best of them since the very first official Christmas special, The Christmas Invasion. I’d better stop typing the word “Christmas” because at this point in the afternoon your eyes are probably already swimming as everything seems to be just Christmas, Christmas, Bloody Christmas (no, that’s TV Smith, not TV) and this won’t be helping. Some of you will be pointing out that there have been countless other, er, Yuletide specials in the worlds of Doctor Who, from Short Trips to audio adventures all the way back to A Girl’s Best Friend and The Feast of Steven, but casual readers will be too drunk to cope with that all right now and that’s my excuse. Anyway, that’s what Google is for.

I wonder if even Steven Moffat realised he’d pulled off a cracker, as the final scene of this one has not one but two callbacks to The Christmas Invasion… Oh no! I said the word. Better move on.


2 – The Doctor.

I love Peter Capaldi’s Doctor, and one of the reasons I so enjoy Last Christmas is that he gives here the most festively themed Doctor performance of all. More on that in a moment.

I was worried in a different way to the usual about the new Doctor when Mr Capaldi was announced for the part. In the past it’s been whether the actor would be right for it and waiting on tenterhooks for their first episode – though I loved Matt Smith from his prime-time interview being announced in the part onwards. But that very day I talked about my fantasy ‘any actor in all of space and time’ casting, too, and they were considerably older than Matt. There’s at least something I love about each Doctor, and my ‘favourites’ among the twelve – thirteen – fourteen – more – keep shifting, but for some years now, my absolute favourite Doctor’s been William Hartnell, and my preference instinctively for someone old, authoritative but unpredictable, acerbic but funny. I’d timescoop Graham Crowden – ironically once offered the role, but he turned it down and was too young anyway – for something like the demented majesty of A Very Peculiar Practice’s Dr Jock McCannon mixed with the child-like enthusiasm of his Tom in Waiting For God. Or go back further and take Alastair Sim (his extraordinary Inspector Poole often makes me wish for a Doctor Who reimagination of An Inspector Calls with Sylvester McCoy’s slightly sinister Time Lord). Coincidentally, my Grandad was rather dashing, came from Glasgow and was both testy and sparkling and I loved him very much. But, I’d keep reminding myself with every new Doctor, the Doctor doesn’t have to be a Scottish actor I’ve thought brilliant for years and who’s just at the right age to be crotchety with a twinkle.

And then they only went and cast bloody Peter Capaldi. This time I was terrified because he seemed just too perfect to be true and it could only go wrong. But you know what? He is nearly perfect after all. And going back to the famous Alastair Sim role inevitably shown again just yesterday, it is impossible to find a better Doctor for the Christmas special than the one who every time is a viper-tongued grouch before he throws everything he has into saving someone else (“There was only one way to get to you…”) and discovers joy all over again (“Yes, but – do you want a go…?”).

Peter Capaldi’s Doctor has always played Scrooge.




3 – Alien.
“They’re a bit like Facehuggers, aren’t they?”
“Face… huggers?”
“Yeah, you know. Alien. The horror movie, Alien.”
“There’s a horror movie called Alien? That’s really offensive. No wonder everyone keeps invading you.”
Of all the brilliant lines in Last Christmas, this is the one that never fails to crack me up. Especially the Doctor’s face going from incomprehension to being utterly appalled.


4 – Father Christmas.
“There’s not just one Santa delivery team. How could there be? There are five hundred and twenty six million four hundred and three thousand and twelve children all expecting presents before tomorrow morning. So, hmm, that’s twenty-two million children per hour. It’s impossible!
“Obviously, I’ve got a second sledge.”
This year, going all-out for Christmas, it’s the big one – Santa Claus himself (or is he? etc). Nick Frost is utterly brilliant in the role, showing no signs of his usual casting as the dim but well-meaning hot bear (here at the Pole!) best friend, nor of the fear that surely any actor must suffer on being given a role with double nominative determinism. Nick is serious, powerful and only occasionally jolly. And with Dan Starkey (nearly naked from the neck up) and Nathan McMullan (grubby superhero – no relation to tonight) his equally perfectly-cast elves, the sexy one and the sassy one – your mileage may vary on which is which – Santa has assembled a perfect comic team. Because for all the Christmas spirit, drama, hero reindeer neigh, moral of the story and even army of slinkies, what really makes them and makes the episode is all the zingers.
“OK. No. Hang on. Stop. Shut up. What? Seriously, you – you’re Father Christmas. You’re – real.”
“Of course I’m real. Ho, ho, ho!”
“How could he not be real?”
“Huh? How do you think those presents got under the tree every year? By magic?”
“Well, I thought it was my Mum and—”
“Mum and Dad?”
[Derisive cheers and applause]
“Well, of course it was.”
“I mean, it makes perfect sense.”
“Yeah, your Mum and Dad, one day a year, for no particular reason, just out of the blue, suddenly decide to give you a great big pile of presents.”
“No, no, no. Because they love you so much. It’s a lovely story, dear.”
“Yeah, but it’s time to start living in the real world.”
It’s probably my favourite Doctor Who story for Steven Moffat comic dialogue.
“Not often we get upstaged on a rooftop.”



5 – The Dream Crabs.

One of the most ickily successful monsters of recent years, both conceptually and visually horrible, creatures that envelop your head and feed on your brain while twisting it into mind-bending dreams within dreams. They do, as has been noted, look rather like Facehuggers, and that’s not the only way in which they’re familiar, but they’re a terrific monster for all that.

They wriggle when you think of them, they leap from the ceiling on gooey strands, they tie your psyche up in knots. They have the extra-disturbing level in our household that – bear with me on this. You see, there’s another famous Doctor Who monster that’s a sort of crab that messes with your head and which may not be real. The Macra first appeared in 1967’s The Macra Terror with Patrick Troughton’s Doctor, but we saw them again with David Tennant in Gridlock (both brilliant stories, by the way). That 2007 episode was the first to use the season’s big new epic piece of music, known on soundtrack releases as All the Strange, Strange Creatures but always to Richard and me as ‘Dance of the Macra’. But only to us. No-one else has ever called it that. So when Santa Claus comes to save everyone from them one last time and his ‘hero theme’ sounds an awful lot like ‘Dance of the Macra (Reprise)’ after several years away to fight more crabs, that feels disturbingly like someone’s messing with our own reality. As long as none of the characters are revealed to be a dream that’s actually something like an account manager for a perfume company…

Just because we’re told they look like something out of Alien, though, doesn’t mean we have to take something out of a dream’s word for it. Look at the Dream Crabs. Horrid scary alien egg-heads. Eggs? Doesn’t that make them a bit Easter? No. Focus. What is it that always comes back at Christmas to terrify everyone yet, like all good horror, exerts a strange fascination? Grey-green. Gnarled. Round.

They. Are. Sprouts.
“We know Dream Crabs are still on Earth.”
“There are lots of dangerous things on this funny little planet of yours, Clara, most of which you eat.”



6 – Clara gets some closure.
“Clara? Page number. Make it a good one.”
“Twelve.”
But not as much as you might expect.

This was, infamously, her last Christmas, the episode where she was going to go out, at last a Moffat-era companion letting go… Then going on, again. The touching last dream would have been a far better exit than she got, but I can’t begrudge it for all the marvellous moments she then got in between (before, at the last, being left dangling in between).

I loved the 2014 Doctor Who season – Season Thirty-Four or Series Eight, according to taste – and it’s by some way for me the best season since Steven Moffat took over. There are several reasons: Peter Capaldi being immediately marvellous as the Doctor; some terrific episodes from beginning to end (if not every single one in the middle); and Jenna Coleman and Clara suddenly becoming far more interesting. But no season’s perfect. It’s left dangling awkwardly for both the Doctor and Clara, and this Christmas special helps bring them both back together, telling the truth to each other at last, providing both an end to one strand of their relationship and the beginning of a better one.

That year was also defined by the other relationships for each of them. Two other people, neither quite in every story but both threaded throughout, both seeing themselves as the life partner of one of our heroes, both unable to see just why Clara or the Doctor didn’t fit in with exactly how they obviously ought to be, each finding ways to force them into the right shape. Missy is a terrible force for evil. Danny’s just a bit of a git. I found it much easier to enjoy Missy than Danny Pink. Perhaps this is because I enjoy a massive, deliciously evil villain, because I know where I stand with them, and so does everyone else watching, and so does the Doctor. But I’m not at all sure that the writers didn’t think Danny was a hero and a nice guy and a good catch, even as he bullied and blackmailed and controlled Clara in a very banally ordinary way and she went along with it. So one thing I like about Danny is that, here, he’s not that bad. Because he’s a dream. And Clara’s idealised version of him lets her let go. And she teeters, but decides to leave the dream of a nice Danny and live.

Besides, if Clara had left here we’d never have seen what a fantastic relationship she gets to have with Missy next time. Well, fantastic from Missy’s perspective, anyway. Maybe Thelma and Louise to Clara, Tom and Jerry to Missy. And totally exterminating hilarious. Plus (as – spoiler – she survived) – far healthier than the relationship with Mr Pink.
“VWORP VWORP”
“Oh, that noise! Never knew how much I loved it.”

7 – It’s a Moffat Selection Box.

What could be more Christmassy than being given the selection box, with just a little sweetie of each flavour, not enough to make you sick, or the greatest hits album, all the better tracks at single edit length so you don’t start skipping them?

Once upon a time, Steven Moffat was best-known as a sit-com writer with funny dialogue and intricate farce. He moved on to Doctor Who and became much better known for scary stories and intricate time-travel puzzles, and then for doing much of that over and again in several combinations. Last Christmas is a remarkable piece of television for several reasons, but one of the reasons that most appeals to me is that it presents some incredibly familiar Steven-Moffatiness and makes it fresh and likeable again. Perhaps because it’s all done in an hour. Perhaps because of the utter confidence it’s done with. But mostly, I think, because for the first time in his Doctor Who work, he rediscovers his sit-com roots not in the relationships but in the sheer blizzard of one-liners he lets loose. For all that this looks dark and has so much about death, at heart the story appeals to me because just this once Mr Moffat does funny again.

A perfect life for the straight couple, but it’s not real– today, in dreams. An everyday experience weaponised to make you neurotic – today, in dreams. And also, in ice cream! But which flavour Cornetto? A terrible scary new monster that you forget about or that appears when you think about it, and third go the Dream Sprouts are so much more fun and so much more horrible than the Silents, aren’t they? But new to Doctor Who, if not to Mr Moffat’s early work, Santa and the elves and zinger after zinger. It may not be quite the very best episode he’s written, but one especially good reason to watch it is if you want a story that shows off his writing to all his different strengths.
“The North Pole isn’t an actual pole.”
“Course it is. Look.”
“If it was an actual pole, it would not be stripy.”
“It’s got to be stripy.”
“Otherwise, you couldn’t see it moving round.”
“Mmm. It’s actually basic physics.”
Even the obligatory meta-reference to Doctor Who itself as a TV show and cultural phenomenon – well, one of them, anyway – is repurposed into a gag about some of the reaction to casting an older Doctor:
“Urrghh! …We’ve – we’ve got ghosts!”
“Ghosts?”
“Yeah – yeah – it’s a skeleton man and a girl in a nightie!”

8 – It’s beginning to look a lot like Troughton.

An isolated base, in the ice, a team of scientists, appalling monsters, in the darkness, laying siege… And even a Troughton! Since its return to TV in 2005, Doctor Who has intriguingly reimagined and borrowed from and made a total dog’s Christmas dinner of and hauled off the back of the lorry elements from all periods and formats of the series, but some writers have been more drawn to some histories than others. Russell T Davies was especially eclectic, but kept coming back to the Jon Pertwee and Tom Baker eras, and to storylines from the Eighth Doctor novels; for Steven Moffat, there’s often a feeling of Patrick Troughton, perhaps with a dash of Sylvester McCoy (and the same Paul McGann novels lovingly ripped off).

Last Christmas both revels in and sends up the much-repeated Second Doctor trope of the ‘base under siege’, and does it brilliantly (so much so that when another one comes along in a couple of stories’ time it looks pre-ridiculed before we even have a chance to ridicule it on its own merits). That format is one reviewers particularly identify with Season Five of the show, and the season in which much of that Season took place was, as here, Winter. Michael Troughton makes his first appearance in TV Doctor Who – though he’s acted in Big Finish’s audio adventures – and as a “Professor”, one who even interacts with a TV screen in the way his father’s Doctor often did (though with less happy results). The Doctor tells everyone to run, and sets off with a moment of Chaplinesque physical awkwardness. Monsters rise from hospital beds, as they did in The Moonbase and Mr Moffat’s own The Empty Child – though what seems like a reference to the earlier story in Clara not in fact fetching a cup of tea for the Doctor seems to misunderstand what happened there with Polly and the coffee




9 – But is it real?*
“You know what the big problem is in telling fantasy and reality apart?”
“What?”
“They’re both ridiculous.”
Yes, it’s another of those tales that asks about the nature of reality and dreams and layer upon layer – and both script and direction do all that rather well. There are very effective shocks as people wake up from one dream only into another, but there’s more to it than making you jump. Father Christmas gets to be a metaphor for both religion and the Doctor – is the Doctor now as much a part of Christmas as Santa? That’s what the BBC is banking on. And are either real? And does that matter? Why should you ever stop believing, if it widens your life and might help you escape from it? As is, my husband muses, especially if this is all the Doctor’s dream, Santa Claus yet another aspect of the Doctor? He even has a disguise that’s become a bit of a trademark. He even does the science bit. Until he’s told not to.

Santa gets to interrupt the opening titles – or at least Nick Frost does – after interrupting the previous story’s end titles by waking the Doctor to cheer him up and stop him leaving things badly with Clara. So perhaps it’s all a dream. But within this story, the Doctor and Clara do indeed start telling each other the truth. So isn’t it…?

*Technically, no. It’s a story. Shh.


10 – “Yippee ai-yay…!”

The story ends with a beautiful scene of the Doctor helping Santa deliver everyone the presence of themselves back home for Christmas, swooping about the landmarks of London and, in surprisingly un-Christmassy turn, not destroying any of them.
“Hey. You want to take the reins, Doctor?”
“You’re a dream construct. Currently representing either my recovering or expiring mind.”
“Yes, but – do you want a go?”
“Yeah. All right. …Look at me! I’m riding a sleigh. I’m riding a sleigh. Yippee ai-yay!”
The unfolding joy on the Doctor’s face is wondrous to behold. The sleigh taking everyone home at the end of what may be a dream recalls The Box of Delights. But the Doctor’s cry of delight always brings to mind something else for me, a metatextual reference that I can’t be certain isn’t deliberate.

At the time Peter Capaldi was announced as the new Doctor, he’d been a fantastic actor across many parts and several decades, but he’d become a household name for one role. Malcolm Tucker, the impossibly aggressive Labour spin doctor from political satire The Thick of It, the most explosively sweary man in the history of television and whose vocabulary is as far from the occasional gentle reference to the Doctor swearing in an obscure Martian dialect as could be. Months of hilarious redubbing of Doctor Who scenes with Tuckerisms spread across YouTube (no, really, some were funny, but definitely not for parents). Because of course the Doctor would never, ever say such things.

Yet every time I watch Peter Capaldi dashing through the sky, it is impossible to expunge from my brain a bit of Tucker as his line continues into the famous seasonal benediction from that most wholesome of family Christmas movies, Die Hard:
“Yippee ki yay, mo—”
[Hurriedly queue theme from Blackadder’s Christmas Carol]




What Else Should I Tell You About Last Christmas?



Spoilers – in more than one sense – because there’s always someone at the big family Christmas dinner who says something that makes you wince and wonder what decade they’re living in. I like several of the women characters here, and that there are several women characters here. The only person who doesn’t get much of a character and ends up dead is (spoilers) the only man on the base. So far, so feminist. Except that… The first time I watched Last Christmas, I was appreciating the mix of ages and characters among the women scientists, and then remember suddenly shouting some Tuckerism as the rug was suddenly pulled.

Taking the mickey out of Troughton is one thing. But one of the problems with Second Doctor stories set in isolated bases with teams of scientists is that, while the teams were usually quite diverse in terms of nationality and even race, they tended all to be men. By the end, the Doctor’s “You don’t seem much like a scientist” turns queasily from a slightly crass line to something queasily like sexual determinism. When people say ‘You don’t look like a scientist / footballer / President’ to a woman, it tends not to be because it’s that particular woman.
“I thought I was a scientist. That’s rubbish.”
“Finally, something that makes sense.”
It turns out that the base under siege isn’t real. But of course neither is the idea of a woman scientist. And because, in retrospect, the only one of the team we don’t find out is not a scientist is the man (even though it’s probably because he doesn’t survive long enough for us to see his real life). Which leaves an awkward feeling that, in all the silly dream of Troughton bases, the only bit that these bases got right is that it’s a silly dream to imagine there could have been any female scientists in them.

Then there’s the Doctor’s line about “texting women of low moral character”. Yes, it’s something to wind Clara up, deliberately. But it’s rather like the Doctor being appalled at a man’s internet browsing history and telling him to get a girlfriend back in The Eleventh Hour. In almost every other writer’s hands, the Doctor encourages difference and making your own mind up, and is more often than not a little baffled by other people’s sexuality, but never judgmental. I think Mr Moffat tries. I really do. And he often gets it right. But so often his Doctor just sounds like he’s telling everyone not to find their own way of life, but to follow the one that Mr Moffat has simply found is the best, so why wouldn’t you? It’s not heteronormativity: it’s just his normativity. And anyone who thinks that’s the point of Doctor Who is for me missing the point by so far I can barely countenance it.

But then there’s the Doctor’s relationship with Clara, which doesn’t feel like that at all, and which seems to me that Mr Moffat has really thought about – not least the way the Doctor’s mean when he tries to be kind and kind when he tries to be mean about her, especially her face. One of the reasons I think that scene near the surface of the sea of dreams would have made such an appropriate exit for Clara is that he’s always seen her with a different eye, and even here he still can’t tell how old she is or how to judge her ‘looks’, and that she doesn’t care either.

And, if you need one, my score:

8/10


If You Like Last Christmas, Why Not Try…



The Return of Doctor Mysterio, on BBC1 (or wherever you are) today at 17.45! It’s Christmas. There’s a Christmas special. I know next to nothing about it. Yippee ai-yay!

The Unquiet Dead. Doctor Who’s Christmas special from April 2005, before they knew the series would be a big enough hit to survive, let alone become a shining Christmas BBC star. Simon Callow is Charles Dickens. The yellow and blue gaslight glow suffusing the whole thing makes it an exceptionally beautiful piece of television. And it received just about the single best review Doctor Who has had in its entire history (as well as one pointing out a problem with its ‘no room at the inn’ attitude that you may have to search harder for).

And from actual last Christmas, a rather fun piece of new Doctor Who for Christmas 2015, where the Twelfth Doctor starts off on his own and is joined in an unexpected guest turn by everyone’s favourite time-travelling archaeologist, someone who’s been a big part in and out of the Doctor’s past, introducing herself with one of my favourite ever Doctor Who multiple-meaning in-joke lines, I recommend…

Big Bang Generation, by Gary Russell, available in all good bookshops.

And The Husbands of River Song is quite entertaining, too. It does, as my husband points out, have rather more decapitations than most screwball comedies, but’s it probably my favourite adventure with River Song. I’m ever so glad I’m Richard’s husband instead, though.


Next Time…


I’ve had to make my series travel in time to write this for Christmas, so once again next time, or previously if you’re pedantically reading them in order (I so hope you do, I’m an appalling pedant and it would make my Christmas): The next tale I have planned is a heart-warming nativity story… And there’s still no such thing as a final evolutionary form, but who’s going to tell them that?

Or, properly… An older and much younger Doctor discovers joy again in one of the series’ most Dickensian tales with absolutely no questions of whether any monsters or people are real.


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